White
Balance is an aspect of photography that many digital camera owners don’t
understand or use – but it’s something well worth learning about as it can have
a real impact upon the shots you take.
So for those of you who have been avoiding White Balance – let me introduce you to it. I promise to keep it as simple as possible and keep what follows as useable as I can:
At
its simplest – the reason we adjust white balance is to get the colors in your
images as accurate as possible.
Why
would you need to get the color right in your shots?
You
might have noticed when examining shots after taking them that at times images
can come out with an orange, blue, yellow etc look to them – despite the fact
that to the naked eye the scene looked quite normal. The reason for this is
that images different sources of light have a different ‘color’ (or
temperature) to them. Fluorescent lighting adds a bluish cast to photos whereas
tungsten (incandescent/bulbs) lights add a yellowish tinge to photos.
The
range in different temperatures ranges from the very cool light of blue sky
through to the very warm light of a candle.
We
don’t generally notice this difference in temperature because our eyes adjust
automatically for it. So unless the temperature of the light is very extreme a
white sheet of paper will generally look white to us. However a digital camera
doesn’t have the smarts to make these adjustments automatically and sometimes
will need us to tell it how to treat different light.
So
for cooler (blue or green) light you’ll tell the camera to warm things up and
in warm light you’ll tell it to cool down.
Adjusting
White Balance
Different
digital cameras have different ways of adjusting white balance so ultimately
you’ll need to get out your camera’s manual out to work out the specifics of
how to make changes. Having said this – many digital cameras have automatic and
semi-automatic modes to help you make the adjustments.
Preset
White Balance Settings
Here
are some of the basic White Balance settings you’ll find on cameras:
Auto – this is where the
camera makes a best guess on a shot by shot basis. You’ll find it works in many
situations but it’s worth venturing out of it for trickier lighting.
Tungsten – this mode is usually
symbolized with a little bulb and is for shooting indoors, especially under
tungsten (incandescent) lighting (such as bulb lighting). It generally cools
down the colors in photos.
Fluorescent – this compensates for
the ‘cool’ light of fluorescent light and will warm up your shots.
Daylight/Sunny – not all cameras have
this setting because it sets things as fairly ‘normal’ white balance settings.
Cloudy – this setting
generally warms things up a touch more than ‘daylight’ mode.
Flash – the flash of a camera
can be quite a cool light so in Flash WB mode you’ll find it warms up your
shots a touch.
Shade – the light in shade is
generally cooler (bluer) than shooting in direct sunlight so this mode will
warm things up a little.
No comments:
Post a Comment